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The Shape of Colour

by Intervals

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Laine~
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Laine~ Really high-quality djent metal that had me bobbing my head throughout my entire listen. Favorite track: Slight of Hand.
benhof
benhof thumbnail
benhof this album has sparked my love for not only Intervals, but the entire genre of modern progressive rock, and even after nearly four years of listening I still find myself coming back for more. Delicious riffs, tasteful melodies and catchy motifs put this up at the top of my list of favorite albums of all time Favorite track: Sweet Tooth.
Colin Wendt
Colin Wendt thumbnail
Colin Wendt Definitely not what I was expecting after A Voice Within which had a vocalist, but certainly fantastic. Aaron is clearly a talented guitarist as he is able to write things that sound so fun and catchy. I hear subtle hints of Periphery and early Polyphia. Favorite track: Sure Shot.
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1.
I'm Awake 03:58
2.
Sure Shot 04:07
3.
Fable 04:19
4.
Sweet Tooth 03:27
5.
Black Box 03:04
6.
7.
Meridian 05:09
8.
Libra 04:56

credits

released December 4, 2015

All Music Written by: Aaron Marshall

Guitars Performed by: Aaron Marshall

Bass Performed by: Cameron McLellan

Drums & Percussion Performed by: Travis Orbin

Engineered by: Cameron McLellan

Produced by: Cameron McLellan & Aaron Marshall

Additional Production by: Anthony Calabretta

Mixed & Mastered by: Anthony Calabretta | Sunset Division

Additional Drum Engineering by: Justin Bonfini

Saxophone Solo on "Fable" by: Leland Whitty

Guitar Solo on "Slight of Hand" by: Nick Johnston

Guitar Solo on "Libra" by: Plini

Artwork Created by: Daniel Wagner | D-Dub Designs

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about

Intervals Toronto, Ontario

Intervals is a window into the mind of guitarist & composer, Aaron Marshall. Founded in 2011, Intervals is a progressive and forward thinking staple in modern instrumental music with roots firmly planted in all things traditional, & an open eye on the future. The Shape of Colour is the natural evolution of Aaron's sound & a testament to his knack for infectious melody, & engaging compositions. ... more

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